![]() ![]() Wildstyle design in New York by artist Swet.īy the 1990s, Graffiti became a world popular subculture. With the integration of the abstract, artists focused primarily on the pure aestheticism of the piece, combining color, shape and line to create a visually balanced composition. Abstract art became increasingly influential in the Graffiti scene throughout the 1980s, perhaps due to the growing commercial success of artists like Jackson Pollock and Jean-Michele Basquiat, the latter combining elements of street and abstract art in his neo-expressionist paintings. Occasionally, artists will choose to work with brushes in order to add more detail to the imagery. Wildstyle and Bubble are terms used to describe more complex aerosol paintings that were more difficult to read and resembled abstract compositions of interlocking forms and letters. Developments in New YorkĪs the art form grew, it came to transcend lettering and incorporated abstract and figurative compositions to accompany the text, something which has a role to play in its eventual commercial success. During the 1970s, the New York City scene was dominated by a legendary crew with over 500 members that included names such as Blade, Cope 2, T Kid 170, Cap, Juice 177, and Dan Plasma. Using a tagging convention in which their moniker combined their street address with their nickname, these artists “bombed” subway trains with their mark, letting the train dissipate their work across the city. Artists like TAKI 183 and Tracy 168 started to gain notoriety for their frequent illegal tagging. In predominantly black neighborhoods like Washington Heights, Graffiti artists began making a name and building artist collective. Large-scale design n a New York City subway car, circa 1970s.Īround 1970-71 the center of Graffiti culture shifted from Philadelphia to New York City. However, it was not for another decade that Graffiti started to flourish on the streets of NYC. ![]() This trend is regarded as the first iteration of organized categorical Graffiti in New York. The same year, Graffiti began appearing around New York City bearing the words “Bird Lives”. ![]() Parker, nicknamed “Yardbird” or “Bird” passed away in 1955. Historians often cite the death of acclaimed American jazz saxophonist and composer Charlie Parker as a catalyst for the spread of contemporary Graffiti is the U.S. Graffiti in the U.S.Ĭontemporary Graffiti began, ostensibly, in Philadelphia at the dawn of the 1960s. It is unsurprising, then, that contemporary Graffiti is most often associated with the disenfranchised black urban populations of America. However, the art of taking up space that is technically ‘off-limits’ is a means by which to explore concepts of hierarchy, ownership, and creative freedom. Since tagging is most often executed on property that does not belong to the artist, it is sometimes considered vandalism. Associated with tags and tagging is the Throw-Up, an elaborated tag that usually features more colour variance and complicated design. Tags, put simple, are names of individual artists spray painted or stenciled onto public surfaces in a highly stylised manner. Street art, meanwhile, extends to a wide range of media, from stencils to video projections.Īlthough somewhat confined in terms of categorization, contemporary Graffiti is created in a huge range of styles and techniques. Comparatively, contemporary Graffiti art is fairly narrow in its identification, centering on the concept of tagging and emphasizing a text-based aesthetic. However, Street art, as a category of artistic production, is a much broader identifier in regards to its lack of characteristic limitations on style and medium. Both art forms happen in the public arena. Street Art and Graffiti are two terms that often go hand in hand. Graffiti has many forms, from the stylised graphic imagery known as wildstyle to boldly aesthetic ciphers, commonly known as as tags and unique to each artist. But Graffiti art as we know it was born in 1970s New York, when people started to use the medium of spray paints to leave their unique signature on public spaces of every kind. The notion of drawing words and images on to walls is not a modern one and can be dated back to Ancient Greece and the Roman Empire. Graffiti art is when text and images are drawn or spray painted onto walls and surfaces, usually in urban, public places and normally without permission.
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